{"@context":"http://iiif.io/api/presentation/4/context.json","id":"https://archivebase.ldas.jp/na-kamura-1263/smithsonian-3d/api/iiif/4/jar-made-by-dave-fc2bca/manifest","type":"Manifest","label":{"ja":["「デイヴ」作の壺"],"en":["Jar Made by “Dave”"]},"summary":{"ja":["このアルカリ釉の大型炻器の壺は、1862年に、サウスカロライナ州エッジフィールド地区のルイス・マイルズの農園窯で働いていた奴隷の黒人陶工デイヴィッド・ドレイクが製作した。奴隷とされた人々の識字を禁じていた州において、デイヴは自らの名を署名し、ときには炻器の器に詩を刻むことで、読み書きができる自らの能力を敢然と示した。"],"en":["This large alkaline-glazed stoneware jar was made in 1862 by David Drake, an enslaved black potter working on Lewis Miles’ plantation pottery in the Edgefield District of South Carolina. In a state that outlawed literacy among people who were enslaved, Dave defiantly proclaimed his ability to read and write by signing his name and sometimes inscribing poetry on the stoneware vessels he made."]},"metadata":[{"label":{"ja":["分野"],"en":["Topic"]},"value":{"ja":["奴隷制"],"en":["Slavery"]}},{"label":{"ja":["museum"]},"value":{"ja":["国立アメリカ歴史博物館"],"en":["National Museum of American History"]}},{"label":{"ja":["objectType"]},"value":{"ja":["壺"],"en":["Jars"]}},{"label":{"ja":["日付"],"en":["Date"]},"value":{"ja":["1862-05-03"]}},{"label":{"ja":["作成者"],"en":["Creator"]},"value":{"ja":["デイヴィッド・ドレイク（Drake, David）"],"en":["Drake, David"]}}],"rights":"http://creativecommons.org/publicdomain/zero/1.0/","thumbnail":[{"id":"https://3d-api.si.edu/content/document/3d_package:fc2bca6b-1f44-4d2c-a1b9-713a33ee0596/scene-image-low.jpg","type":"Image","format":"image/jpeg"}],"homepage":[{"id":"https://archivebase.ldas.jp/na-kamura-1263/smithsonian-3d/item/jar-made-by-dave-fc2bca","type":"Text","label":{"ja":["詳細ページ"],"en":["Detail page"]},"format":"text/html"},{"id":"https://www.si.edu/object/nmah_1181785","type":"Text","label":{"ja":["出典"],"en":["Source"]},"format":"text/html"}],"rendering":[{"id":"https://3d-api.si.edu/content/document/3d_package:fc2bca6b-1f44-4d2c-a1b9-713a33ee0596/nmah-1996-0344-01-jar-150k-2048-medium.glb","type":"Model","label":{"ja":["3Dモデル (GLB)"],"en":["3D model (GLB)"]},"format":"model/gltf-binary"}],"items":[{"id":"https://archivebase.ldas.jp/na-kamura-1263/smithsonian-3d/api/iiif/4/jar-made-by-dave-fc2bca/scene/1","type":"Scene","label":{"ja":["「デイヴ」作の壺"],"en":["Jar Made by “Dave”"]},"backgroundColor":"#000000","items":[{"id":"https://archivebase.ldas.jp/na-kamura-1263/smithsonian-3d/api/iiif/4/jar-made-by-dave-fc2bca/scene/1/page","type":"AnnotationPage","items":[{"id":"https://archivebase.ldas.jp/na-kamura-1263/smithsonian-3d/api/iiif/4/jar-made-by-dave-fc2bca/scene/1/model","type":"Annotation","motivation":"painting","body":{"id":"https://3d-api.si.edu/content/document/3d_package:fc2bca6b-1f44-4d2c-a1b9-713a33ee0596/nmah-1996-0344-01-jar-150k-2048-medium.glb","type":"Model","format":"model/gltf-binary"},"target":"https://archivebase.ldas.jp/na-kamura-1263/smithsonian-3d/api/iiif/4/jar-made-by-dave-fc2bca/scene/1"}]}],"annotations":[{"id":"https://archivebase.ldas.jp/na-kamura-1263/smithsonian-3d/api/iiif/4/jar-made-by-dave-fc2bca/scene/1/annotations","type":"AnnotationPage","items":[{"id":"https://archivebase.ldas.jp/na-kamura-1263/smithsonian-3d/api/iiif/4/jar-made-by-dave-fc2bca/scene/1/annotation/7RDHCac6dAMR","type":"Annotation","motivation":["commenting"],"body":{"type":"TextualBody","value":"デイヴィッド・ドレイクは奴隷とされた熟達の陶工であり、並外れた技術と力を要する巨大な貯蔵用の壺や瓶を日常的に製作していた。よく見ると、彼がこの壺をどのように分割して成形したかがわかる。","label":"分割して作られた器","language":"ja","format":"text/plain"},"target":{"type":"SpecificResource","source":[{"id":"https://archivebase.ldas.jp/na-kamura-1263/smithsonian-3d/api/iiif/4/jar-made-by-dave-fc2bca/scene/1","type":"Scene"}],"selector":[{"type":"PointSelector","x":0.1720347,"y":-0.0087853,"z":-0.1151409,"normal":[0.8458459,-0.0528387,-0.5308038]}]}},{"id":"https://archivebase.ldas.jp/na-kamura-1263/smithsonian-3d/api/iiif/4/jar-made-by-dave-fc2bca/scene/1/annotation/GTvqrsZrjVQe","type":"Annotation","motivation":["commenting"],"body":{"type":"TextualBody","value":"現存するデイヴの作品のうち約20点には、デイヴ自作の二行詩が刻まれている。それは、壺、愛、金銭、精神性、奴隷とされた男としての生、そして死後の世界に至るまで、多岐にわたる主題をめぐる、見事で、ときに謎めいた省察である。これらの詩はデイヴの知性、創造性、機知を映し出している。","label":"デイヴ","language":"ja","format":"text/plain"},"target":{"type":"SpecificResource","source":[{"id":"https://archivebase.ldas.jp/na-kamura-1263/smithsonian-3d/api/iiif/4/jar-made-by-dave-fc2bca/scene/1","type":"Scene"}],"selector":[{"type":"PointSelector","x":0.0272986,"y":0.191036,"z":0.2034368,"normal":[0.1282808,0.6723435,0.7290393]}]}},{"id":"https://archivebase.ldas.jp/na-kamura-1263/smithsonian-3d/api/iiif/4/jar-made-by-dave-fc2bca/scene/1/annotation/HxQyrRe8A8RU","type":"Annotation","motivation":["commenting"],"body":{"type":"TextualBody","value":"この壺に刻まれた詩「I made this jar all of cross, If you don[’]t repent you will be lost（我この壺をことごとく十字に作れり、汝悔い改めずば失われん）」は、聖書「使徒言行録」2章14〜42節、エルサレムのヘロデ神殿におけるペンテコステでのペテロの説教を指しているのかもしれない。詩が刻まれた作品として知られる最後のものであるこの壺は、多くの奴隷とされた人々の日々の暮らしにおける宗教と死後の世界の重要性を強調している。","label":"詩","language":"ja","format":"text/plain"},"target":{"type":"SpecificResource","source":[{"id":"https://archivebase.ldas.jp/na-kamura-1263/smithsonian-3d/api/iiif/4/jar-made-by-dave-fc2bca/scene/1","type":"Scene"}],"selector":[{"type":"PointSelector","x":0.046347,"y":0.2136837,"z":-0.1715649,"normal":[0.1589767,0.5986523,-0.7850744]}]}},{"id":"https://archivebase.ldas.jp/na-kamura-1263/smithsonian-3d/api/iiif/4/jar-made-by-dave-fc2bca/scene/1/annotation/Kvw337PliJth","type":"Annotation","motivation":["commenting"],"body":{"type":"TextualBody","value":"歴史家ジョン・マイケル・ヴラックは著書『装飾芸術におけるアフリカ系アメリカ人の伝統』（1977年）でこの壺を取り上げ、その「きわめて痛切な詩句」は「奴隷制と宗教についてのデイヴの入り混じった思い」を映し出していると推測した。","label":"きわめて痛切な詩句","language":"ja","format":"text/plain"},"target":{"type":"SpecificResource","source":[{"id":"https://archivebase.ldas.jp/na-kamura-1263/smithsonian-3d/api/iiif/4/jar-made-by-dave-fc2bca/scene/1","type":"Scene"}],"selector":[{"type":"PointSelector","x":-0.1920844,"y":0.1779989,"z":-0.0841097,"normal":[-0.7800442,0.5081125,-0.365175]}]}}]}]}]}