{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://archivebase.ldas.jp/na-kamura-1263/video/api/iiif/3/sdcommons_video-01DD001H220009/manifest","type":"Manifest","label":{"ja":["木曽漆器"]},"items":[{"id":"https://archivebase.ldas.jp/na-kamura-1263/video/api/iiif/3/sdcommons_video-01DD001H220009/manifest/canvas","type":"Canvas","duration":225.525526,"width":640,"height":360,"items":[{"id":"https://archivebase.ldas.jp/na-kamura-1263/video/api/iiif/3/sdcommons_video-01DD001H220009/manifest/canvas/page","type":"AnnotationPage","items":[{"id":"https://archivebase.ldas.jp/na-kamura-1263/video/api/iiif/3/sdcommons_video-01DD001H220009/manifest/canvas/page/anno","type":"Annotation","motivation":"painting","target":"https://archivebase.ldas.jp/na-kamura-1263/video/api/iiif/3/sdcommons_video-01DD001H220009/manifest/canvas","body":{"id":"https://archivebase-s3.ldas.jp/archivebase/na-kamura-1263/2dda258d-36dd-444e-829a-4b530a71533b/video.mp4","type":"Video","format":"video/mp4","duration":225.525526,"width":640,"height":360}}]}],"annotations":[{"id":"https://archivebase.ldas.jp/na-kamura-1263/video/api/iiif/3/sdcommons_video-01DD001H220009/manifest/canvas/transcript","type":"AnnotationPage","items":[{"id":"https://archivebase.ldas.jp/na-kamura-1263/video/api/iiif/3/sdcommons_video-01DD001H220009/manifest/canvas/transcript/anno","type":"Annotation","motivation":"supplementing","target":"https://archivebase.ldas.jp/na-kamura-1263/video/api/iiif/3/sdcommons_video-01DD001H220009/manifest/canvas","body":{"id":"https://archivebase-s3.ldas.jp/archivebase/na-kamura-1263/8fa0bfb0-8469-4680-9d12-dbfbfab0594d/video.vtt","type":"Text","format":"text/vtt","language":"ja","label":{"ja":["文字起こし"],"en":["Transcript"]}}}]}]}],"summary":{"ja":["基礎漆器には様々な技法がありますが、ここでは「基礎追取」、「基礎瞬啓」、「塗り分けろいろ塗り」の3種類を紹介します。\n\n1. **基礎瞬啓**: 下地塗りをせずに生地に直接木漆をすり込み、透明度の高い瞬啓漆で仕上げます。薄紅色の顔料を混ぜた漆を塗り、拭き取る工程を4〜5回繰り返します。仕上げ塗りは特に注意が必要で、塗り終わったものは温度と湿度を調整できる室で乾燥させます。\n\n2. **塗り分けろいろ塗り**: 下地塗りの後、黒と朱の2色で塗り分け、艶出しをして仕上げます。特別な墨で表面を研磨し、すり漆で細かな傷を埋め、電動工具で磨きます。\n\n3. **基礎追取**: 凹凸のある面に数種の色漆を何度も塗り重ね、研磨して模様を出します。赤、黒、緑、黄色の順に色漆を塗り、研磨して独特の模様を作り出します。\n\nこれらの技法により、独特の美しい漆器が完成します。"]},"thumbnail":[{"id":"https://archivebase-s3.ldas.jp/archivebase/na-kamura-1263/c3994010-337d-4c4a-aa09-beb8c97b1c78/poster.jpg","type":"Image","format":"image/jpeg"}],"homepage":[{"id":"https://jpsearch.go.jp/item/sdcommons_video-01DD001H220009","type":"Text","label":{"ja":["原資料ページ"],"en":["Source"]},"format":"text/html"}],"requiredStatement":{"label":{"ja":["Attribution"],"en":["Attribution"]},"value":{"ja":["『木曽漆器』（県立長野図書館）を改変"]}}}